100 years is a big milestone, worthy of some extravagant art-making. I am honored to be one of five artists commissioned as part of the Centennial celebrations of my alma mater Eastern Mennonite University in 2017. We are each tasked with creating 100 ten-inch-square works (10x10x100) reflecting on some aspect of the University’s history, daily life, mission or vision for the future. I have translated a beloved
Anna Magdalena Bach was Johann Sebastian Bach’s second wife, mother of 13 of his children, the copyist of his manuscripts and herself an accomplished musician. When I became interested in using J.S. Bach’s music as the basis for a new body of work, her name repeatedly caught my eye in my background research. Then I ran across an article describing how an Australian researcher has theorized, based on foren
Took a couple of in-process shots of my latch hook rug based on Bach’s Prelude in C Major. I’m almost one-third of the way through. Talk about tedious. Good thing I’ve got Doctor Who to keep me company.
New ideas, new direction… Intersections of musical notation, craft process and concept-based art. Music theory meets color theory. I’m starting with a latch-hook rug of Bach’s Prelude in C Major from the Well-Tempered Clavier Book I. My idea is to obsessively replicate the color pattern of the Prelude in as many tactile, tangible media as I can think of. More on the concept to come later when I have