My music-as-color paintings are hitting the road again, this time appearing at InLiquid @ Crane Arts. Opening reception will be Thursday, April 13 from 6-9pm, and the show will run through May 28. I’ll be exhibiting my “Well-Tempered Clavier” and “Mikrokosmos” series; Bach’s first Cello Suite, Fugue in C Major, and Chaconne; several Chord Progressions; and a large-scale textile wor
Listen to music to accompany my artwork on display at Rowan University Art Gallery from March 23-May 9 and the Shenandoah Valley Bach Festival from June 14-21, including Glenn Gould playing Bach’s Well-Tempered Clavier, Jeno Jando playing Bartók’s Mikrokosmos, and Yo-Yo Ma playing Bach’s first Cello Suite.
For Chromography: Writing in Color, Gerard Brown and I have engaged artist Jane Irish to write an essay for the exhibition brochure. She had several questions for me (Why Bach? What is the purpose of a score to you? What is your step-by-step of process?), to which I wrote a long and rambling reply. For those with the same sorts of questions, I present my responses to Jane in their entirety. _____ I trace this current
In June, you’ll be able to catch my artwork as part of the Shenandoah Valley Bach Festival. As an occasional singer in the Festival, I’m looking forward to being involved this year on the visual art side. Should be the perfect pairing of artwork and music! Be sure to come out on Sunday, June 14 for a presentation at 2:00pm that explains more about my process and looks at other forms of untraditional music
After a two-year hiatus from selling online, I’m now stocking an Etsy shop with my new Bach Project artwork and oddities. Where else can you buy an original watercolor of Prelude No. 1 in C Major? Or a music-themed Rubik’s Cube?
Anna Magdalena Bach was Johann Sebastian Bach’s second wife, mother of 13 of his children, the copyist of his manuscripts and herself an accomplished musician. When I became interested in using J.S. Bach’s music as the basis for a new body of work, her name repeatedly caught my eye in my background research. Then I ran across an article describing how an Australian researcher has theorized, based on foren
New ideas, new direction… Intersections of musical notation, craft process and concept-based art. Music theory meets color theory. I’m starting with a latch-hook rug of Bach’s Prelude in C Major from the Well-Tempered Clavier Book I. My idea is to obsessively replicate the color pattern of the Prelude in as many tactile, tangible media as I can think of. More on the concept to come later when I have
Here’s another visualization of J.S. Bach: the first Prelude and Fugue to the Well-Tempered Clavier. The Prelude is playing a dominant role in the new artwork I’m brainstorming, so it’s fascinating to see how someone else envisioned it.